Nearly 200 pages of Drug Enforcement Administration contracts with producers were obtained through the Freedom of Information Act. They show for the first time how the agency interacts with television and film productions.
The Drug Enforcement Administration (DEA) is quite active in the entertainment industry. It exercises stringent control over how the agency is represented in documentaries, reality shows, and dramas.
With several projects, the DEA carefully reviews their own files to pick out select cases that made them look good, which then form the basis for either fictional or factual productions.
The Drug Enforcement Administration (DEA) is quite active in the entertainment industry. It exercises stringent control over how the agency is represented in documentaries, reality shows, and dramas.
With several projects, the DEA carefully reviews their own files to pick out select cases that made them look good, which then form the basis for either fictional or factual productions.
The contracts cover 2011 to 2017. Over that time period, DEA supported dozens of projects, including “Cops and Coyotes” and multiple episodes of “Drugs Inc.” and “Gangsters: America’s Most Evil.” They support the fictional drugs drama “Pure,” too.
Other supported projects were “Lethal Cargo,” “The Notorious Mr. Bout,” and “Declassified: Untold Stories of American Spies.” They even worked with the U.S. government-funded Middle East Broadcasting Network for a program that featured the DEA museum.
Other supported projects were “Lethal Cargo,” “The Notorious Mr. Bout,” and “Declassified: Untold Stories of American Spies.” They even worked with the U.S. government-funded Middle East Broadcasting Network for a program that featured the DEA museum.
Full report:
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